What is ripple delete adobe premiere

Разные приемы

1.Ripple Delete (Удаление со сдвигом). Если у вас не работает команда: Ripple Delete (Удаление со сдвигом), из-за звуковой дорожки на втором треке:

То можно просто заблокировать временно этот трек и команда Ripple Delete (комбинация горячих клавиш Shift + Delete), станет доступна:

2.Вложенные папки. При импорте папки, в которой есть вложенные папки:

В окне проекта, мы получаем следующую картину:

Вложенная папка будет удалена и весь поддерживаемый для импорта контент будет перемещен в корневую папку.
3.Write XMP Id To Files on import. Если есть проблема с изменением русских тэгов в импортируемых mp3 файлах в программу Adobe Premiere Pro CS5, то тогда снимаем галку перед пунктом Edit > Preferences > Media > Write XMP Id To Files on import:

Write XMP Id To Files on import — позволяет автоматически добавлять метаданные XMP информацию в файл источника видео и аудио при импорте их в программу.
Также если при экспорте видео вы используете программу Adobe Media Encoder CS5, т.е. в программе Adobe Premiere Pro CS5 в окне Export Settings нажимаете на кнопку: Queue. То и в приложении Adobe Media Encoder CS5 необходимо выполнить команду: Редактировать > Установки и снять галку перед пунктом Записать ID XMP в файлы при импорте в разделе Метаданные.

4.Блокируем доступ к серверу валидации Adobe. Добавляем в хост (hosts) строку 127.0.0.1 activate.adobe.com которая блокирует доступ к серверу валидации для проверки подлинности и активации продукта. Хост файл в Windows 7 находится здесь:
C:\Windows\system32\drivers\etc\hosts. Также там можно прописать следующие строки:
127.0.0.1 practivate.adobe.com
127.0.0.1 ereg.adobe.com
127.0.0.1 activate.wip3.adobe.com
127.0.0.1 wip3.adobe.com
127.0.0.1 3dns-3.adobe.com
127.0.0.1 3dns-2.adobe.com
127.0.0.1 adobe-dns.adobe.com
127.0.0.1 adobe-dns-2.adobe.com
127.0.0.1 adobe-dns-3.adobe.com
127.0.0.1 ereg.wip3.adobe.com
127.0.0.1 activate-sea.adobe.com
127.0.0.1 wwis-dubc1-vip60.adobe.com
127.0.0.1 activate-sjc0.adobe.com
127.0.0.1 adobeereg.com
127.0.0.1 adobe.activate.com
Итак выполняем: Пуск > Компьютер и в строке поиска вбиваем: hosts. Далее, делаем по этому файлу двойной клик:

Выбираем открыть файл с помощью Блокнота:

Правим файл и сохраняем внесенные изменения, Ctrl+S:

5.Unlink группы клипов. Блокируем видео трек.

Далее, выбираем инструмент: Track Select Tool (A) и выделяем аудио трек.

Теперь помещаем индикатор текущего времени в самое начало группы клипов, которые мы хотим разлинковать. Копируем выделенные клипы в буфер: Ctrl+C и удаляем их Delete. Обратите внимание, что видео клипы потеряли значок [V].

Теперь вставляем аудио клипы из буфера: Ctrl+V и разблокируем видео трек.

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Select, delete, or ripple-delete clips

Adobe Premiere Pro includes multiple ways to select and work with clip segments in the Timeline panel. And I’d like to take a moment to look at a few of the ways that we can work with clips in a more complex sequence.

First of all, let’s look at selecting some of these clips. I’ve got multiple layers here, but along the top on my Video 8 track I’ve got my primary video content. And obviously I can single click to select each of these clips. I need to be careful not to double-click because if I do I’m going to open the clip that I’ve clicked on in the Source monitor. And there are some workflows that will call for that, but really most of the time you’re going to be single clicking. I can also hold the Shift key and make individual clip selections.

Now this might seem a little bit strange to you if you’re used to working in the operating system and selecting individual files because on Windows you’d use the Control key, on Mac OS you’d use the Command key. But here it’s the Shift key.

The Control or Command key operate as a different kind of modifier. We can also lasso to select clips. You can see here as long as I start anywhere beyond the edges of a clip, anytime the marquee selection overlaps a clip it doesn’t have to contain it. It just needs to overlap it, then that clip segment is selected.

If you have a few Clips here with Sync audio you can override linking between video and audio clips by holding down Alt on Windows or Option on Mac OS. I’m holding Alt here on Windows and now I’m just getting the video or for that matter any individual audio clip. Notice that clip linking is not specific to video and audio. It’s any combination of clips. Again, without the Alt key I can click on any of these and they’re all selected. You can turn off clip linking for the entire Timeline by clicking here on the Linked Selection button. Now nothing is linked. And I’ll just turn that back on again.

Control or Command A selects all. You see there every clip in the current sequence. And if I just lasso to select a few of these, Shift Control A or Shift Command A deselects all. There is an option under the Sequence menu to enable Selection Follows Playhead. And now any clip on the top most selected track will be selected as the playhead moves over it. See here I’ve got Video 8 and Video 9 turned on. So, as I move through the sequence the clip is selected automatically. This option is enabled automatically coincidentally if you switch to the Color workspace and the Lumetri Color panel is active.

We also have a dedicated Selection tool. Here we’ve got the Track Select Forward Tool. If I click and hold we’ve got access to the Track Select Backward Tool. I’ll start with the Track Select Forward Tool. You can see I’ve got two arrows. Anywhere I click every clip is selected from this point forward regardless of the tracks that are enabled. Shift really is your friend as a modifier key here as it is with so many tools.

If I hold down the Shift key, now only the track that I select, and any linked clips are highlighted. As you might have guessed, the Track Select Backward Toolworks in the opposite direction. And these are both very useful tools for creating a gap in a sequence or for that matter closing a gap if you’re working with it in sections.

I’m going to lasso a few of the clips here because there’s another useful keyboard shortcut. If I press the forward slash key Premiere Pro will add an In and Out mark at the beginning and the end of any selected clips. It’s important to make a distinction here between the forward slash key and the backslash key.

The backslash key will toggle between zooming in and zooming out on your Timeline. It’s a really useful way to just get an overview of the whole sequence so you can navigate to a different part of the content.

It’s worth noting that clip selection overrides track selection in many cases. Here for example if I deselect and I’m going to turn on all of the tracks here on every single layer and I’m going to press Control K, this would be Command K on Mac OS. And you can see if I move my playhead out of the way I’ve added a cut to every one of these clips. Let me just zoom in a little so you can see that more clearly. I’m going to undo so you can see without the cut. And now I’ll move the playhead over a little.

So now I’ve got just one clip selected and I’m going to press that same keyboard shortcut, that’s Control K, Command K on Mac OS. And only that one clip gets a cut. Just move the playhead out of the way so you can see it. None of the other tracks are affected even though the other tracks are selected. Again, that’s because clip selection overrides track selection. This applies when copying and pasting between In and Out marks as well. Just the clips that you have selected will be copied.

If I select this voice spot audio clip and hit Delete you can see well nothing much happens. The clip’s been removed, and nothing happens to the other clips in this very simple sequence. I’m going to undo to restore that. If I select the clip again and press Shift Delete now I’ve performed a ripple delete closing the gap after the clip I’ve removed. All of the clips have moved because my Sync locks are on for every track. Of course, if I turn some of these off not all of the clips will be affected by that edit.

Sync locks and the Track locks work exactly the same way when you’re adding content as when you’re removing it. So, I’m going to just resize a little bit here. I’m going to collapse down these tracks, collapse down these audio tracks as well. So, you can see a little bit more about what’s going on.

I’ve got this long dial of mix down at the bottom. And I’m going to select I think this combination of clips right here. I’m just lassoing across just to make sure I’ve got all of those clips selected. Again, if I hit the Delete key just a gap is left behind. And I’ll just undo that. And if I Shift Delete to ripple delete those clips, let’s select these again, I’m actually being blocked. Premiere Pro won’t allow me to delete these clips. And that’s because I’ve got these Sync locks on. The Sync locks are locking my content in position relative to the other clips. If I turn these all off which I’m going to do by holding down the Shift key here and now press Shift Delete Premiere Pro allows me to remove the clips and everything after them shuffles over to the left to fill the gap.

When moving items around inside the sequence, by default you’re going to have Snapping turned on. Just to illustrate this let me resize a little bit and let’s say I want to make a layered clip effect from this shot over this one. Well I can click and drag and as I do you can see I get this little triangle highlight that shows the clip is aligned to the beginning or the end of a clip. And that’s incredibly useful. But what you might find on a more complex sequence is there are so many joins for a clip to connect to that it becomes difficult to line up in the way that you want to. And of course, the way to fix that is to turn off Snapping.

But you can turn off and on Snapping while you’re in the middle of a mouse operation as I am now. So here I’ve got Snapping turned off. I’m pressing S for snap. You can see the icons on it up and now the clip is snapping to those cuts. You can also have the playhead snap while scrubbing by holding down the Shift key. And once again the Shift key is our friend on the Timeline.

And let’s say I want to make a precise selection of a piece of these three clips so I can copy it and paste it somewhere else. Well I’m going to hold down the Shift key to turn all my Sync locks back on. It’s probably worth having these on most of the time and still holding the Shift key I’m going to deselect all of these tracks.

And I’m just going to turn on the tracks that have this media. And now I’m going to use In and Out marks. So, I’m marking In and Out, I’m using I and O. And you’ll notice, in fact it’s probably a little more visible if I turn on Video 5 as well that when you use In and Out marks in this way to set a region in time and you use Track Selection buttons, you get a highlight on the tracks showing you the beginning and the end of the selected region. Notice that the tracks that are turned off remain dark.

Now that I’ve made this precise selection I can perform a lift edit by pressing the semi-colon key or by clicking the Lift button in the Program monitor. That removes just those clips between the In and Out marks. Now in this case I’ve made a careful selection not by clicking on clip segments and selecting them, but instead by highlighting them with In and Out marks. I’ll just undo so you can see that region as well. Notice the top clip is selected, the other two are not.

So, in the Timeline panel you can make a selection by choosing clip segments or you can select a region of time with In and Out marks based on specific tracks. There’s another really useful feature I’d like to show you on the Timeline for removing gaps that are unwanted. Now this feature is dependent very much on your selections. You can see here I’ve got a series of clips lined up. And these are later in my sequence where as you can see if I scroll I don’t have any long clips underneath or above them. So, I don’t have any issues with Sync locks. And it’s a very common way to work on a sequence to get to the point where you have a number of clips lined up in this way.

Maybe you’ve gone through the edit and removed the pieces that you don’t want. But then what do you do with these gaps. Well one way is to select the gap, I’m single clicking here and press Delete. And that will close one gap. I’ll just undo that. But another way is to use the close gap command. In this case I’m going to just lasso to select these two clips and I’m going to go to the Sequence menu and I’m going to choose Close Gap. And that’ll close the gap between those two clips.

Close Gap doesn’t have a keyboard shortcut by default but it’s very easy for you to assign one. What’s great about the command is if I want to I can select a whole range of clips as I have now, go back to the Sequence menu, choose Close Gap and all of those gaps are removed in a single step. I’ll just undo that because another way to do this is to use In and Out marks. So, I’m pressing I for In and O for Out. And now if I choose Close Gap, all of the gaps between those In and Out marks are selected.

This way you can select a whole region of your sequence to remove gaps from. So that’s working with clip segments in the Timeline panel in Adobe Premiere Pro.

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How to Edit Faster Using the Ripple Delete Shortcut In Premiere Pro CC

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I’m always looking for quicker and easier ways to edit videos. Today’s tutorial is all about one of the best tools for improving your editing workflow and making cuts with literally just a few clicks.

In this article I’ll briefly explain what the ripple delete tool does as well as how to quickly set a keyboard shortcut to use it.

If you’re new to video editing, don’t forget to check out more helpful tips and tutorials about using Adobe Premiere Pro on the blog.

What is a Ripple Delete?

The ripple delete tool automatically deletes content existing between two cuts with one simple tool and click.

Instead of cutting two areas of your timeline and then selecting the area you want to delete in between and then dragging your timeline down to meet the cuts, the ripple delete tool does this seamlessly in one click.

The beauty of this tool is that it maintains the integrity of your existing timeline. When you delete one section of footage and the rest of your timeline is shifted forward to fill in that gap, all layers move simultaneously, therefore not messing with the timing of any of your other layers (broll, graphics, multiple camera angles, audio tracks, etc.).

Any editor knows what I nightmare it can be to accidentally shift an entire layer of work, unknowingly getting the rest of your work out of sync.

How to Use the Tool

There are a handful of ways you can implement the ripple delete tool.

Before you do anything, make sure that you’re either making your cuts through all the layers, or locking/disabling the layers that you don’t want your cuts or movements to affect.

Make Sure Your Layers are Targeted

In order for this tool to work, we need to make sure all the layers that you’d like to either cut or protect from cuts are targeted correctly. Look all the way to the very left hand side of your timeline where you’ll see a lock icon next to the layer’s labels (V1, V2, V3, A1, A2, A3, etc.).

If these are highlighted in blue it means they are targeted and will be affected by using the ripple edit tools that we are about to discuss.

If you do not want a certain layer to be adjusted at all (a music track, for example), go ahead and lock that layer down by hitting the little lock symbol.

We are now ready to get into how to use the tool.

1. First make your cuts. Right click on the area you’d like to delete and select ‘ripple delete’. This will delete your clip and automatically back your timeline up to fill the gap where the deleted footage lived.Note: you will need to make a cut through every layer in your timeline for this to work. If you don’t want to make a cut through a certain layer (music track for example), simply lock that layer first.

2. The second method is to use a few keyboard shortcuts. Let’s take a look at how to set up your own hotkeys in Premiere Pro

How to Customize Your Keyboard Shortcuts

A very functional feature of Premiere Pro is the ability to set your own hotkeys or keyboard shortcuts. It’s so easy to do. Let’s set one up for the ripple delete tool.

In the top menu bar, select Premiere Pro CC > Keyboard Shortcuts > in the search box type in ‘ripple delete’

Click the existing shortcut box and change it to ‘x’ by simply selecting the box, deleting the current contents and entering the new key ‘x’.

Note: if you get an error message warning you that the keyboard shortcut already exists, it’s completely fine to override it. Just take note and make sure it isn’t a shortcut that you already use frequently. If it is, simply choose a new shortcut.

Now that you’ve set up your keyboard shortcut (and you can set it to any key that you want, doesn’t have to be ‘x’), let’s talk about how to use it.

Select the gap of footage you’d like to delete and hit ‘x’ (or your own shortcut key) and Premiere Pro will automatically delete the content and slide all of your existing timeline forward to fill the gap.

Select Ripple Sequence Markers

There may be times when you have already set certain markers throughout your timeline. If you want to use the ripple delete tool, but also want to make sure that these markers stay in the correct location, there’s an easy way to do it. You need to make sure ripple sequence markers is checked under the marker menu option.

Marker > Ripple Sequence Markers

Super easy and now your markers will move along the timeline in line with your ripple cuts

Make Faster Cuts

Here’s another super helpful and quick tool to use in line with the ripple tool that will make your overall edits worlds faster.

Head back over to the keyboard shortcuts window and search for ‘Add Edit’ in the search box. Click the existing keyboard shortcut box and change it to ‘z’ or another key if you prefer.

Now, whenever you hit the letter ‘z’, a cut will be made along any and all targeted tracks. If you just want it to cut a certain designated track or tracks, you can highlight those tracks and it will only cut through those highlighted tracks.

Just like before with the ripple delete tool, you need to make sure that the tracks you want to cut are targeted, otherwise the tool won’t work properly.

You’ll know the track is targeted if it has a blue highlight on the far left side. You can simply select and deselect tracks to target them if you want to include them in these edits or not.

Using the Ripple Edit Tool

There is another way to quickly use the ripple tool — the ripple edit tool on your timeline.

On the timeline toolbar, you can click to select the ripple delete icon or you can simply hit the letter ‘b’ as a shortcut to use the tool.

Note: In most cases you want to be sure that your audio and video are linked. To do this, simply select both clips (audio and video) and hit ‘command L’, you can also right click and hit ‘link’.

Two ways to use the tool:

With the ripple edit tool selected, click the edge of the clip where you want to begin your cut and pull all the way to where you want the edit to actually begin. This will then delete the content where you ‘slid’ over and simultaneously shift your footage forward, therefore deleting the excess footage and filling in the gap in one swift motion.

A second way to use the tool without even selecting it before hand is to hold command or control while hovering over the edge of a clip. You’ll see the little tool icon change into the ripple delete tool, where you can then jump into quickly using the tool without shifting any other tools.

How to edit frame by frame.

Activate the ripple edit tool by hitting ‘b’, then click on the exact cut that you want to adjust (left or right side of the cut), hold down alt or option key and tap the left or right arrow keys to delete frame by frame on either side of the cut.

How to Use the Extract Tool

Another handy way you may want to use this same idea is by setting in and out points on your timeline, simply using the keyboard short cuts ‘i’ and ‘o’. It will look like this:

Then go up to your source panel and hit the extract tool icon or simply hit the ‘ (apostrophe) key. This will delete all the content within your in and out points and slide the rest of your timeline forward, essentially doing the same task as a ripple delete tool.

Again, you must make sure all the layers of your timeline are targeted (V1, V2, V3, A1, A2, A3) all highlighted in blue on the very left side of your timeline.

It takes some practice to get used to using new shortcuts and tools in Premiere Pro, especially if you’ve been editing without them for a while, but once you get the hang of them, they will save you sooo much time.

Try them out and leave your thoughts in the comments below!

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Hi, I’m Beth.

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